Skin

I’m not the kind of person who makes a lot of New Year’s resolutions (though one year I did resolve to try and be more of a New Year’s resolution kind of guy – it didn’t really work), but this time round I did spend some time on New Year’s reflections. And one of the things I reflected on was how fortunate I’ve been recently to spend time doing things I love.

In particular, being part of the GCTC family this season has meant I’ve been able to sit in on a variety of projects that are in development. Most recently, this meant being able to join my friends at Deluxe Hot Sauce for a couple of their rehearsals with director Martha Ross as they ready their latest show, Skin, for the GCTC undercurrents festival opening next week.

One of the reasons that this particular opportunity was so appealing is that I’m a text-based kind of guy, scribbling merrily away on my own in a dark corner. (Actually, you can find me by the photocopier in the GCTC office, which is quite brightly lit.) This show, in contrast, is a powerful bit of collaborative creation by the artists involved, and sitting in the room meant that I got to see some of that creation happening before my eyes.

It was glorious.

Now, I was lucky enough to have been invited to a presentation of the play as a work-in-progress some months back, and even then I found it absolutely arresting. But on the first day I dropped in earlier this month, Martha Ross wanted to introduce a new element to the work, a kind of prologue to the piece, and I was able to witness the atoms swirling, coming together and clumping into molecules, and so on. The next day I watched them run the prologue. It was new, it was raw, and it was the absolute essence of theatre.

I learned so much from just a few hours with these artists and I think I may even have a few new things for my toolkit.

And what’s the show about? Find out for yourself. Just go see it.