The Rose was a theatre in Elizabethan London. Built in 1587, it was the fifth such in the city and the first to be built on Bankside, not the most reputable part of town at the time. It was joined in the neighborhood a few years later by the Globe, which continues to get a lot of press because of that Shakespeare fellow. The remains of the theatre’s foundations were discovered during an excavation in 1989 and a trust has been established with plans to complete excavations of the foundations and to develop the site as an educational and historical resource.
My good friend Jessica Ruano, who moved to London from Ottawa a couple of years ago, has been involved in a number of projects at the Rose, which is being used as a venue once again for various theatrical productions, including Jessica’s excellent adaptation of As You Like It. When Jessica brought a show to the Ottawa Fringe Festival last year, we got to talking about the Rose and we agreed it would be an interesting venue in which to stage a reading of my play The Lavender Railroad with some of the actors she’s been working with in London.
In many ways, the setting was perfect for the play. It’s underground. It’s dark and murky. In the background you hear an unsteady drip-drip-drip of water. There’s a damp chill in the air. What better environment in which to present a chilling and claustrophobic story about terrible choices in an amoral world?
I was very pleased with how the evening went and am grateful to Jessica and her actors, Ross Mullan, Ben Warwick and Sarita Plowman, for bringing the play to life in so dismally perfect an environment. I know that the folks who are managing the Rose have great plans for the future and will be quite eager to see what kinds of productions will be seen in this unique space in the future.