No, I am not musing about anything so metaphysical as the raising of the dead. But the cast, comprising the graduating students of the Ottawa Theatre School, have been in rehearsal for the last few weeks and are busy now with costume fittings, going over their lines, working out the finer points of their characters with director Teri Loretto, and eager discussions about ways to get word of the play out in the world of social media. It’s been great fun to watch.
Along the way, the script has evolved enormously from the days of our first reading together back in September. Among other things, for example, the title of the piece has evolved from The Notebooks of Marie Curie, which as a working title really did convey what the play was about, to False Assumptions, a title which I hope the audience will agree conveys what the play is really about as it looks at those notebooks. For me this is one of the most interesting aspects of the journey, and it’s one I highlighted in that first reading many months ago to the others around the table: the script that the actors will present to their audience at the Gladstone is very much evolved from the one they first met in September.
That’s as it should be, of course. The whole point of the work in these last few months has been to improve and refine the story on the page, and I am deeply indebted to Teri, to producer Chris Ralph, and to the actors (among many others), whose counsel and suggestions have made a vast difference to the quality of the script and so to the story that these actors will be presenting as of next week.
My job, then, is done. All the changes to the text that will be made have been made. I leave it in the many good hands of my friends at OTS and Plosive and look forward to settling back in my seat on opening night and watch the magic of the theatre do its thing.
If you’re in the Ottawa area and would like to see the show, you can order your tickets online at the Gladstone.