The Show Must Go On

Last night was my first opportunity to see a performance of Ex Cathedra at the Ottawa Fringe. While I’d had the chance to chat from time to time with the folks putting it on and did sit in on their tech rehearsal, this was going to be my first chance to see how they interpreted the play.

Alas, fate does sometimes intervene, and one of the two actors is unable to perform due to illness. I imagine no one is more troubled by this than she is – after all that work and time, to be stuck in a sickbed is surely the last place she wants to be, and I do hope she’s better soon.

But what do you do when half of your cast can’t perform? This is Fringe, after all, and no one has the resources for understudies. And yet, as the saying goes, the show must go on!

To their credit, Troupe de la Lune has found someone to step in as a kind of understudy, and although she’s had minimal time to prepare the company was able to offer a perfectly fine “dramatic reading” of the script – and honestly, it was easy to forget after about twenty seconds that anyone was reading from a script.

Were there certain subtle nuances missing? Of course – these come out of the rehearsal process and the luxury of time to digest the script and consider the meaning of the lines. But in my own rather unscientific sample of the audience who were present last night, it was clear that people got the point of the play and were perfectly forgiving of an unfortunate situation; it would take quite the curmudgeon to feel otherwise!

So kudos to the company for figuring out how to keep going – after all, the show must go on!

Did you see one of the dramatic readings? What did you think?

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